A lot of folks think that making a living as a professional musician means one of two things: Either you ‘make it’ and go on to tour the world and sell millions of albums or perhaps you ‘become a starving artist’ and have to play at crappy bars and street corners just to get by. This audio business myth makes sabotages people’s careers from the start, either by making them believe they need to get full time jobs unrelated to music and ‘try to do music on the side’, or hesitate of trying to get into the music business.
Fact is, the music business is made up of a big middle class and there are many ways to earn a residing. You’d be surprised at exactly how easy it is to make a good surviving in the music promotion industry vs becoming successful in an outside field. However, before you will make a lot of money, you must stop asking low quality questions. Stop worrying about becoming a depriving artist and start envisioning all different ways you can generate income as a musician.
As you work in the music business, you are not forced to live from one paycheck to another like in a normal day job. Instead, is actually always possible to be earning multiple sources of income at the same time. This makes becoming a professional musician a much more stable career choice since you don’t have to be dependent on just ONE source of income. In addition to the clear ways that musicians seek to generate income in music (selling albums/downloads, playing live shows or recording as a session musician), there is certainly one thing you can do right since will quickly boost your music related income:
Start growing a music teaching business. This will likely immediately produce multiple sources of income (your students) for you while you work much less than full time hours each week. Once you build many sources of musical income as mentioned above, it’s very possible (and less hard as you might think) to annually earn more than $100k in your music career (I know this, because I’ve helped many musicians to do it).
The majority of artists want to get their music heard by as much people as possible, assuming that this will help them earn money and become successful pro musicians. Nevertheless , the quantity of men and women who listen to your music is not too significant in and of itself. What really issues is the amount of individuals you are able to turn into a highly dedicated fans that will do anything to support you and your music.
Stop asking yourself getting more people to hear your music and start transforming anyone who is already your enthusiast into an actual FANATIC. Simply After you have a technique in place for switching ‘casual fans’ into ‘hardcore fanatics’ will the total number of individuals who notice your music get started to matter.
Many musicians think they will be much more likely to attain the music industry by moving to a ‘music city’. Then with this idea in mind, they group up their things and move, believing that opportunities will simply ‘fall into their lap’ once they arrive. Once they have been in their new location for a while and nothing is promoting, they blame it on metropolis and look for a new location to move to (while being completely unaware of the CORRECT explanations why they aren’t successful).